Well, specifically the plot is that she was gender surprising everyone on the force. The ending reveals that her gun had dug into everyones hip at one point it would seem.
Writing her as that kind of person is definitely demonizing trans, but their reactions were the normal overblown homophobia of the time. Not trans specific. It wasn’t just the idea of her being trans causing the reaction.
Also, the implication at the end is that she had been fooling around with many of them and they were all just realising her gun wasn’t digging into their hips either. It’s not just recoiling at the thought of a trans-gender person.
In real life, it’s normal to not ‘surprise’ someone with your gender. They should know full well and be accepting of what they are going to find long before it is revealed.
Of course writing her as having tried to trick most of the police force with her gender is for sure demonizing trans, and was also a ‘fear’ at the time. Like somehow trans people are doing it to ruin other peoples lives, instead of stop their own from being ruined.
Outside of that, it was the normal overblown reaction to homosexuality that was common at the time. Just in real-life cartoon style, which was Jim Carreys shtick. Plunger to the face is very much how a cartoon character would try to clean something off their face. Except it would probably pull their whole face off leaving it blank and they’d have a floating pencil draw a fresh one on.
Just wanted to add that I acknowledge your other reference for the title. But couldn’t think of a more clever way to do so.
Ah, well there is an official classification, that is what I am going by. An origin story can still be called an origin story even if it’s the first story, if it follows the origin story format. If however the first story doesn’t follow the origin story format, then it isn’t an origin story even if it’s the first story.
An origin story is named that based on what happens in it, it doesn’t have to be a pre-quel to qualify.
Origin stories tend to resonate with people, it’s basically “how did this person go from being a normal everyday nobody, to one of the most powerful people in the universe” and, if done right, you can empathize with their journey.
Some origin movies maybe suck at that, but that is them squandering an opportunity, you get alot of potential baked-in just from the concept alone.
The Matrix was maybe one of the most successful uses of an origin arc, but most origin movies have a similar free boost, whether the rest of the movie supports and earns that boost is up to them. But many still do.
I liked reloaded and revolutions even on first viewing, but I didn’t need them to feel the same way the first matrix movie felt in order to consider them good. Like, The Matrix stood out from pretty much every other movie I had seen before. You don’t get that a second time right away, especially from another movie of the same type about the same thing. They continued and closed the story very well, but none of them were an origin story, and origin stories are pretty much always more awesome than the other movies in the same series, no matter what order they are made in.
The Matrix was unfollowable, and they managed to follow it ok. They were always gonna be worse in comparison, but they aren’t actually bad.
I haven’t seen Resurrections, not for any particular reason, just keep forgetting anytime I do manage to remember it, before I remember it long enough to see it.
It might be about general knowledge of how colliders work, the sentence structure does it no favours, but half way through I realised it had to be intentional/beneficial due to knowing the only possible way a collider generates heat as a byproduct.
Where as someone that doesn’t know much about colliders might read that sentence and assume it’s like radiative heat or something.
That’s interesting, just looked it up assuming I had likely heard the uncensored version at least once in my life, curious what could be removed from it. But yeah, turns out I have never once heard the full version. That is a very good example.